A marsiya (مرثية), Arabic for lamentation for a dead person, is a lamentation over the death of much of Imam Husayn family in the Battle of Karbala.There is usually at least one manqabat in a traditional programme. If one is sung, it will follow right after the naat. Manaqib in praise of Ali are sung at both Sunni and Shi'a gatherings. A manqabat (plural manaqib, مناقب, which means characteristics) is a song in praise of either Imam Ali or one of the Sufi saints.The opening hamd is traditionally followed by a naat. A na`at (نعت), Arabic for description, is a song in praise of Muhammad.Traditionally, a qawwali performance starts with a hamd. A hamd (حمد), Arabic for praise, is a song in praise of Allah.Qawwalis are classified by their content into several categories: The central themes of qawwali are love, devotion and longing (of man for the Divine). The poetry is implicitly understood to be spiritual in its meaning, even though the lyrics can sometimes sound wildly secular, or outright hedonistic. This is certainly true of Chhote Babu Qawwal, whose style of singing is much closer to the Bengali Baul music than to the qawwali of Nusrat Fateh Ali Khan, for example. Also, the sound of the regional language qawwali can be totally different from that of mainstream qawwali. There is also qawwali in some regional languages but the regional language tradition is relatively obscure. There are some in Persian from the Mughal era, and a smattering in Saraiki and dialects of north India like Braj Bhasha and Awadhi. The songs which constitute the qawwali repertoire are primarily in Persian, Urdu, Hindi, and Punjabi. Instruments such as Harmoniums, tabla and dholak are now common in many Qawwali parties.Ī woman playing the Tanpura, c. He said, they did not do good as something impermissible cannot be condoned.”Įventually however, musical instrument use found its way into Qawwali and modern performers of musical Qawwali will justify their use of instruments by saying that the Sufi Saints do not stop them when they use them near their shrines. “.Someone complained to the Sultan of the Mashaa’ikh that some of the dervishes danced in a gathering where there were musical instruments. If all these conditions are met, Sima’ is permissible.” Musical instruments must not be present in the gathering.
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The words that are sung must be free from obscenity and indecency and they must not be void. The listener must only listen to everything in the remembrance of Allah. The singer must be an adult and not a child or a female.
“Sima’ (to listen to Qawwali) is permissible if a few conditions are met. The following conditions were initially placed on Qawwali: Originally, musical instrument use in Qawwali was prohibited. The word Sama is often still used in Central Asia and Turkey to refer to forms very similar to Qawwali, and in India, Pakistan and Bangladesh, the formal name used for a session of Qawwali is Mehfil-e-Sama. Qawl ( Arabic: قَوْل) is an "utterance (of the prophet)", Qawwāl is someone who often repeats (sings) a Qaul, Qawwāli is what a Qawwāl sings.ĭelhi's Sufi saint Amir Khusrow of the Chisti order of Sufis is credited with fusing the Persian, Arabic, Turkish, and Indian traditions in the late 13th century in India to create Qawwali as we know it today.
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